CIME — les prompts.

La palette n'a pas été choisie au hasard : elle est relevée sur les visuels déjà produits. C'est l'ordre qui compte — on fabrique la campagne, puis on en extrait la charte, et non l'inverse. La planche se génère ensuite d'un coup, avec quatre de ces visuels en référence : le modèle ne redessine rien, il compose.

Design a single BRAND IDENTITY BOARD for the fictional brand CIME, presented as one flat designed page seen perfectly straight on, filling the whole frame. This is a graphic design layout, NOT a photograph of a physical board — no desk, no hands, no perspective.

USE THE FOUR ATTACHED PHOTOGRAPHS AS THE ACTUAL IMAGE TILES OF THE BOARD. Place them unmodified inside clean rectangular frames: image 1 as the large hero tile, images 2, 3 and 4 as supporting tiles. Do not redraw them and do not replace them with other pictures — crop them only if the layout needs it.

LAYOUT — a strict editorial grid with generous margins on a flat neutral background from the palette:
· top left, the wordmark CIME very large, set in a precise modern sans for the wordmark and a condensed sans for captions
· under it, the descriptor 750ML INSULATED BOTTLE in small letter-spaced caps
· the four photographs as a clean asymmetric grid, one large and three smaller
· a horizontal PALETTE row of five solid colour chips, each with its name and hex code in small caps beneath: SAPIN #242A27, ARDOISE #4B524E, PIERRE #817F78, BRUME #CDCFCB, GALET #B2ADA5
· a TYPOGRAPHY block showing A B C D E F G and 0 1 2 3 4 5 in the brand typeface, with the type names labelled
· small section labels in tiny letter-spaced caps: LOGOTYPE, PALETTE, TYPOGRAPHY, IMAGERY

MOOD — alpine, robust, precise. Every colour comes from the palette above and from the photographs. Spell every word correctly. Crisp vector-clean typography, high resolution, professional brand guidelines aesthetic. No watermark, no lorem ipsum, no extra logos.

Design a single BRAND IDENTITY BOARD for the brand [BRAND NAME], presented as one flat designed page seen perfectly straight on, filling the whole frame. This is a graphic design layout, NOT a photograph of a physical board — no desk, no hands, no perspective.

USE THE FOUR ATTACHED PHOTOGRAPHS AS THE ACTUAL IMAGE TILES OF THE BOARD. Place them unmodified inside clean rectangular frames: image 1 as the large hero tile, images 2, 3 and 4 as supporting tiles. Do not redraw them and do not replace them with other pictures — crop them only if the layout needs it.

LAYOUT — a strict editorial grid with generous margins on a flat neutral background from the palette:
· top left, the wordmark [BRAND NAME] very large, set in [TYPEFACE FOR THE WORDMARK] and [TYPEFACE FOR THE CAPTIONS]
· under it, the descriptor [PRODUCT DESCRIPTOR] in small letter-spaced caps
· the four photographs as a clean asymmetric grid, one large and three smaller
· a horizontal PALETTE row of five solid colour chips, each with its name and hex code in small caps beneath: [COLOUR 1 #HEX], [COLOUR 2 #HEX], [COLOUR 3 #HEX], [COLOUR 4 #HEX], [COLOUR 5 #HEX]
· a TYPOGRAPHY block showing A B C D E F G and 0 1 2 3 4 5 in the brand typeface, with the type names labelled
· small section labels in tiny letter-spaced caps: LOGOTYPE, PALETTE, TYPOGRAPHY, IMAGERY

MOOD — [THREE ADJECTIVES THAT DEFINE THE BRAND]. Every colour comes from the palette above and from the photographs. Spell every word correctly. Crisp vector-clean typography, high resolution, professional brand guidelines aesthetic. No watermark, no lorem ipsum, no extra logos.

Point de départ de toute la campagne : la gourde, générée seule sur fond neutre. C'est elle qu'on passe ensuite en référence dans chaque visuel — le décor change, la gourde ne bouge pas. Le détail qui fait tout : « meeting the bare steel in a razor-clean line ». Sans cette ligne, le modèle dégrade la peinture en fondu et l'objet perd son air industriel.

Ultra high-end commercial packshot of a 750ml insulated water bottle standing upright, centred, on a seamless cool slate backdrop with a soft graduated falloff. The body is brushed stainless steel with a fine vertical grain and a matte powder-coated band of deep forest green around the lower two thirds, meeting the bare steel in a razor-clean line. The lid is matte black with a small folded steel carry loop. Laser-engraved into the steel at chest height, the wordmark CIME reads in fine letter-spaced capitals, catching the light only at an angle. Studio lighting: two large strip softboxes left and right for two long vertical highlights down the cylinder, a tight top light on the lid.

Photorealistic, 8K, macro-level detail, premium advertising aesthetic, immaculate. No other text anywhere, no watermark, no hands.

Ultra high-end commercial packshot of a [CAPACITY] [PRODUCT TYPE] standing upright, centred, on a seamless [BACKGROUND COLOUR] backdrop with a soft graduated falloff. The body is [MATERIAL 1 + ITS GRAIN OR TEXTURE] with a [FINISH 2] band of [COLOUR] around [WHICH PART OF THE BODY], meeting the bare [MATERIAL 1] in a razor-clean line. The [TOP PART] is [ITS FINISH AND COLOUR] with [THE SMALL FUNCTIONAL DETAIL]. [HOW THE MARK IS APPLIED] into the [MATERIAL] at [WHERE EXACTLY], the wordmark [BRAND NAME] reads in fine letter-spaced capitals, catching the light only at an angle. Studio lighting: two large strip softboxes left and right for two long vertical highlights down the [SHAPE OF THE BODY], a tight top light on the [TOP PART].

Photorealistic, 8K, macro-level detail, premium advertising aesthetic, immaculate. No other text anywhere, no watermark, no hands.

Le plan qui pose le monde de la marque. On ne montre pas ce que la gourde fait, on montre où elle a le droit d'aller. Grande profondeur de champ voulue : les crêtes derrière doivent rester lisibles, sinon on perd l'altitude et il ne reste qu'un caillou.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle standing on a bare granite outcrop at altitude, low cloud and blue ridges receding behind, cold clear morning light, a little frost on the rock. 35mm, deep depth of field, cool tones.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] standing on [THE MOST EXTREME PLACE IT BELONGS], [WHAT RECEDES BEHIND IT] behind, [THE LIGHT AT THAT HOUR], [A SMALL PHYSICAL SIGN OF THE CONDITIONS]. 35mm, deep depth of field, cool tones.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Une gravure ne se voit que sur ses arêtes. C'est pour ça que le prompt exige une lumière rasante et pas un éclairage frontal : de face, le nom disparaît dans le métal. C'est aussi le plan qui vend la finition — en publicité produit, c'est la matière qui justifie le prix.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro raking across the engraved wordmark on the brushed steel: the fine vertical grain of the metal filling the frame, the engraving catching light only on its edges. 100mm macro, hard side light.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro raking across [THE MARK] on the [MATERIAL 1]: the [GRAIN OR TEXTURE OF THE MATERIAL] filling the frame, [THE MARK] catching light only on its edges. 100mm macro, hard side light.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Le plan qui répond à la seule question technique que se pose l'acheteur : est-ce que ça rentre ? La gourde n'est pas le sujet, elle est rangée. Un produit qu'on voit à sa place vaut trois lignes de fiche technique.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle slotted into the side pocket of a grey canvas backpack resting on a mossy log in a pine forest, soft overcast light filtering through the branches. 50mm, natural light, shallow depth of field.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] [HOW IT IS STOWED] in [THE OBJECT THAT CARRIES IT] resting on [A NATURAL SURFACE] in [THE PLACE], soft overcast light [HOW IT ARRIVES]. 50mm, natural light, shallow depth of field.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Une gourde de montagne se vend surtout à des gens qui ne montent jamais. Ce plan élargit le marché en une image : même produit, même série, un usage domestique. Lumière chaude d'intérieur pour trancher franchement avec les plans d'extérieur.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle on a dark soapstone kitchen counter beside a cutting board and a bunch of herbs, morning light from a window on the left, a soft reflection under the base. 50mm, warm interior light.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] on a [SURFACE MATERIAL AND COLOUR] [DOMESTIC SURFACE] beside [EVERYDAY OBJECT 1] and [EVERYDAY OBJECT 2], morning light from a window on the left, a soft reflection under the base. 50mm, warm interior light.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Pas de visage, pas de casting, pas de mannequin à faire tenir sur dix images. Des mains suffisent — et des mains marquées disent l'usage réel mieux qu'un portrait souriant. C'est le plan le moins cher de la série et souvent le plus crédible.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a pair of weathered hands unscrewing the black lid, caught mid-turn, out of focus mountain scree behind. 85mm, overcast daylight, shallow depth of field.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a pair of [WHAT KIND OF HANDS] hands [THE SINGLE GESTURE ON THE PRODUCT], caught mid-movement, out of focus [THE ENVIRONMENT] behind. 85mm, overcast daylight, shallow depth of field.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Contre-emploi assumé : on pose un objet manufacturé au milieu de cailloux ronds. Le contraste de formes fait tout le travail, et l'eau perlée sur l'acier prouve l'étanchéité sans une ligne de texte. Angle bas pour que la gourde domine la scène.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle standing among wet river pebbles at the edge of a clear stream, water beading on the steel, dappled light through leaves. 50mm, low angle, cool green tones.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] standing among [A NATURAL TEXTURE THAT CONTRASTS WITH ITS SHAPE] at the edge of [THE WATER OR THE ELEMENT], [WHAT THE ELEMENT LEAVES ON THE MATERIAL], dappled light through leaves. 50mm, low angle, cool green tones.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Le plan le plus calme de la série. Une lumière dure, une ombre longue sur le bois, deux objets et rien d'autre : une série a besoin d'une image qui respire entre deux plans de montagne, sinon tout se ressemble.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle on a pale oak desk beside a closed notebook and a pair of reading glasses, hard afternoon light throwing a long shadow across the wood. 35mm, minimal, calm.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] on a [SURFACE MATERIAL] desk beside [EVERYDAY OBJECT 1] and [EVERYDAY OBJECT 2], hard afternoon light throwing a long shadow across the [SURFACE MATERIAL]. 35mm, minimal, calm.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Le plan qui clôt la série sur la promesse produit. On cadre exactement la frontière entre l'acier et la peinture mate : c'est là que se joue la qualité perçue. La condensation, elle, dit que le contenu est encore froid — l'argument de vente, montré, jamais écrit.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro on cold condensation beading across the brushed steel and running down onto the matte green band, the meeting line between the two finishes razor sharp. 100mm macro, cold rim light.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, luxury commercial metal product retouching with razor-sharp brushed-steel grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro on [THE PHYSICAL PROOF THAT THE PRODUCT WORKS] beading across the [MATERIAL 1] and running down onto the [FINISH 2] band, the meeting line between the two finishes razor sharp. 100mm macro, cold rim light.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with razor-sharp [MATERIAL 1] grain and clean specular falloff, ultra-high-resolution 4K product photography with premium editorial finish.

Onze plans en dix secondes, aucune personne, aucun lieu. La gourde lévite et tourne, seul le fond change à chaque coupe — toujours dans la même palette. C'est le format le plus rentable de la formation : pas de casting, pas de montagne à aller filmer, et il tient sur n'importe quel produit.

Le MATCH CUT à 7,0 s est la seule coupe qui ne soit pas brutale : on enchaîne sur une couleur commune entre deux plans. C'est ce qui empêche la séquence de ressembler à un diaporama.

SCENE CONTEXT
A 10-second vertical kinetic product spot for CIME, an insulated steel bottle. No people, no location. A single forest green and steel colour world, the bottle levitating and rotating in every shot, roughly one second per shot, the backdrop changing on every cut inside the forest green and steel palette.

ACTIVE REFERENCES
@image1 - the CIME bottle. A brushed stainless steel bottle with a matte deep green lower band, a razor-clean line between the two finishes, a matte black lid with a steel carry loop and CIME engraved in the steel. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, no floor until the final beat. Each shot uses one backdrop from the forest green and steel palette: deep forest green gradient, cold steel bokeh, crossing white light bars, drifting cold vapour, or a charcoal field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on the brushed steel grain, every fine machining line filling frame, a cold green glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across the vertical brushed grain of the steel.
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the bottle on a deep forest green gradient at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, a burst of ice shards exploding outward past the lens.
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as a helix of clear water coils around the bottle on cold green bokeh.
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the bottle between crossing cold white light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on the razor-clean line where brushed steel meets the matte green band.
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting cold vapour, the bottle flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, the engraved CIME wordmark, catching light only on the edges of the cut.
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the bottle, the black lid and steel loop filling frame.
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. The cold white of the steel loop matches into a cold white light bar, camera arcing at 30 km/h across a deep charcoal void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The bottle settles into its final position on a wet slate reflective floor, camera pushing in steadily.

ACTION
Steel grain fills frame. The camera orbits the bottle. Ice shards burst. Water coils around it. The finish line fills frame. The engraving fills frame. It lands on wet slate.

PHYSICS
The bottle is 750 ml and heavy. Ice shards have real mass. Condensation forms instantly on the cold steel.

LIGHTING
Hard specular key from camera-left at 6200K raking across the bottle, a tight rim light on the right edge, cold green practicals in the background. White balance fixed at 6200K. Atmospheric haze at 24%.

COLOR GRADE
60:30:10 - deep forest green dominant, charcoal secondary, brushed steel accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, ice cracking, a metallic ring, a lid unscrewing, a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The bottle keeps its brushed steel upper body, matte deep green lower band, the razor-clean line between them, its black lid with steel loop and the engraved CIME in every shot. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

SCENE CONTEXT
A 10-second vertical kinetic product spot for [BRAND NAME], [PRODUCT TYPE]. No people, no location. A single [COLOUR 1] and [COLOUR 2] colour world, the [PRODUCT] levitating and rotating in every shot, roughly one second per shot, the backdrop changing on every cut inside the [COLOUR 1] and [COLOUR 2] palette.

ACTIVE REFERENCES
@image1 - the [BRAND NAME] [PRODUCT]. [FULL PRODUCT DESCRIPTION — its materials, its two finishes, the line between them, and every word written on it]. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, no floor until the final beat. Each shot uses one backdrop from the [COLOUR 1] and [COLOUR 2] palette: [BACKDROP 1], [BACKDROP 2], crossing [WARM OR COLD] light bars, drifting [THE PARTICLE IN THE AIR], or a [DARK COLOUR] field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on [THE MOST TACTILE MATERIAL], [WHAT FILLS THE FRAME], a [COLOUR] glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across [THE MAIN MATERIAL AND ITS GRAIN].
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the [PRODUCT] on a [BACKDROP 1] at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, a burst of [WHAT THE PRODUCT CONTAINS OR PROTECTS AGAINST] exploding outward past the lens.
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as a helix of [THE LIQUID OR MATERIAL] coils around the [PRODUCT] on [BACKDROP 2].
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the [PRODUCT] between crossing [WARM OR COLD] light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on [THE CONSTRUCTION DETAIL THAT PROVES THE QUALITY].
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting [THE PARTICLE IN THE AIR], the [PRODUCT] flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, [THE MARK], [HOW IT CATCHES THE LIGHT].
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the [PRODUCT], [THE PART THAT FILLS THE FRAME].
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. [THE COLOUR OF THAT PART] matches into a light bar of the same colour, camera arcing at 30 km/h across a deep [DARK COLOUR] void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The [PRODUCT] settles into its final position on a [REFLECTIVE FLOOR MATERIAL], camera pushing in steadily.

ACTION
[THE SEVEN BEATS, ONE SHORT SENTENCE EACH, IN ORDER].

PHYSICS
[THE REAL SIZE AND WEIGHT OF THE PRODUCT]. [HOW EACH OTHER MATERIAL IN THE FRAME BEHAVES]. [WHAT THE TEMPERATURE DOES TO THE SURFACE].

LIGHTING
Hard specular key from camera-left at [COLOUR TEMPERATURE] raking across the [PRODUCT], a tight rim light on the right edge, [COLOUR] practicals in the background. White balance fixed at [THE SAME COLOUR TEMPERATURE]. Atmospheric haze at [PERCENTAGE].

COLOR GRADE
60:30:10 - [DOMINANT COLOUR] dominant, [SECONDARY COLOUR] secondary, [ACCENT COLOUR] accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, [THE THREE PHYSICAL SOUNDS THE PRODUCT AND ITS MATERIALS MAKE], a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The [PRODUCT] keeps [THE THREE OR FOUR FEATURES THAT MUST NEVER CHANGE] in every shot. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

L'inverse exact de l'hyper motion : caméra posée, de vrais lieux, quatre temps de deux secondes et demie. Une marche, une gorgée, un point de vue, une assise. Une seule progression du bas vers le haut. C'est ce qu'on vend le plus cher, parce que ça ressemble à une vraie pub.

Note la dernière ligne : « ABSOLUTELY NO PACKSHOT ». Sans elle, le modèle termine toujours par le produit sur fond blanc — le réflexe qu'il faut lui interdire.

SCENE CONTEXT
A 10-second vertical lifestyle commercial for CIME, an insulated steel bottle. Real people, real places, four shots, one cut every two and a half seconds.

ACTIVE REFERENCES
@image1 - the CIME bottle. A brushed stainless steel bottle with a matte deep green lower band, a razor-clean line between the two finishes, a matte black lid with a steel carry loop and CIME engraved in the steel. 100% matches the reference in every shot.

LOCATION MAP
The film moves through a forest trail, a rocky ridge and a summit at altitude. No studio, no seamless backdrop, no colour field.

FIRST FRAME / BLOCKING
Opens on wet ferns at ankle height as a pair of boots walks through frame.

FORMAT MODE
Timed multishot, four shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, anamorphic-style shallow depth of field.

CAMERA
0.0-2.5s ESTABLISHING - 63 degree FOV. Low tracking through ferns behind a walker's boots at 5 km/h, morning mist in the trees.
2.5s HARD CUT
2.5-5.0s PRODUCT IN USE - 47 degree FOV. Tight handheld as she stops on the ridge, unscrews the black lid and drinks, condensation on the steel.
5.0s HARD CUT
5.0-7.5s LIFESTYLE - 29 degree FOV. Slow arc around her at 8 km/h as she looks out over the valley, the bottle held at her side.
7.5s HARD CUT
7.5-10.0s HERO - 63 degree FOV. She sets the bottle down on the summit rock beside her and sits, camera craning up to reveal the ridgeline.

ACTION
She walks. She stops and drinks. She looks out. She sets it down and sits.

PERFORMANCE
Quiet and unhurried, no dialogue, no smiling at camera.

PHYSICS
The bottle is 750 ml full and has real weight. The lid unscrews with resistance. Water beads on the steel.

LIGHTING
Cold overcast morning at 6500K, soft directional light through mist, a warm break of sun entering on the last shot. Atmospheric haze at 30%.

COLOR GRADE
60:30:10 - deep forest green dominant, cold grey rock secondary, brushed steel accent.

AUDIO
Boots on wet ground, wind through pines, the lid unscrewing, a swallow. Sparse ambient bed.

STYLE
Photorealistic commercial cinematography, 24fps, fine film grain, 8K detail, warm naturalistic advertising look.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The bottle keeps its brushed steel upper body, matte deep green lower band, the clean line between them and its black lid in every shot. The people keep the same faces, hair and clothing across every cut. Every shot contains visible camera movement. ABSOLUTELY NO PACKSHOT: the bottle is never shown isolated on a studio backdrop and never appears without a person in the scene.

SCENE CONTEXT
A 10-second vertical lifestyle commercial for [BRAND NAME], [PRODUCT TYPE]. Real people, real places, four shots, one cut every two and a half seconds.

ACTIVE REFERENCES
@image1 - the [BRAND NAME] [PRODUCT]. [FULL PRODUCT DESCRIPTION]. 100% matches the reference in every shot.

LOCATION MAP
The film moves through [THE THREE PLACES OF THE JOURNEY, IN ORDER]. No studio, no seamless backdrop, no colour field.

FIRST FRAME / BLOCKING
Opens on [THE FIRST THING WE SEE, AT GROUND LEVEL, BEFORE WE SEE ANYONE].

FORMAT MODE
Timed multishot, four shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, anamorphic-style shallow depth of field.

CAMERA
0.0-2.5s ESTABLISHING - 63 degree FOV. [THE OPENING MOVE, ITS SPEED, AND WHAT IT FOLLOWS].
2.5s HARD CUT
2.5-5.0s PRODUCT IN USE - 47 degree FOV. [THE SINGLE GESTURE, SHOT TIGHT].
5.0s HARD CUT
5.0-7.5s LIFESTYLE - 29 degree FOV. [THE WIDER MOMENT, AND HOW THE CAMERA MOVES THROUGH IT].
7.5s HARD CUT
7.5-10.0s HERO - 63 degree FOV. [THE FINAL MOVE THAT LANDS ON THE PRODUCT AND OPENS ON THE LANDSCAPE].

ACTION
[THE FOUR BEATS, ONE SHORT SENTENCE EACH].

PERFORMANCE
[HOW THE PERSON BEHAVES], no dialogue, no smiling at camera.

PHYSICS
[THE REAL WEIGHT OF THE PRODUCT WHEN FULL]. [HOW THE MOVING PART RESISTS]. [WHAT THE ELEMENT LEAVES ON THE SURFACE].

LIGHTING
[THE LIGHT AT THE START, WITH ITS COLOUR TEMPERATURE], [HOW IT ARRIVES], [THE CHANGE THAT COMES ON THE LAST SHOT]. Atmospheric haze at [PERCENTAGE].

COLOR GRADE
60:30:10 - [DOMINANT COLOUR] dominant, [SECONDARY COLOUR] secondary, [ACCENT COLOUR] accent.

AUDIO
[THE FOUR OR FIVE REAL SOUNDS OF THE SCENE]. [WHAT MUSIC BED, IF ANY].

STYLE
Photorealistic commercial cinematography, 24fps, fine film grain, 8K detail, warm naturalistic advertising look.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The [PRODUCT] keeps [THE FEATURES THAT MUST NEVER CHANGE] in every shot. The people keep the same faces, hair and clothing across every cut. Every shot contains visible camera movement. ABSOLUTELY NO PACKSHOT: the [PRODUCT] is never shown isolated on a studio backdrop and never appears without a person in the scene.

On ne génère jamais une vidéo UGC d'un coup. On fabrique d'abord cette image fixe, on la valide, et seulement ensuite on l'anime. Rater le fixe coûte 0,20 $, rater la vidéo sept fois plus.

Tout le prompt travaille à tuer le beau : pas de flou d'arrière-plan, pas d'étalonnage, pas de lumière de studio, du bruit de capteur, un cadrage raté, de la peau non retouchée. C'est exactement l'inverse des huit visuels précédents.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, front camera, held at arm's length.

A woman in her late twenties, tanned, freckles, dark hair in a low ponytail, a faded olive fleece, caught mid-sentence with the mouth open on a word, eyes on the lens, not smiling and not posing.

SETTING — on a rocky mountain path in the late afternoon, blue ridges receding out of focus behind her, cold clear light.

THE PRODUCT — In her free hand she holds the CIME bottle near her chest, turned so the engraved wordmark and the deep green band read clearly.

IMAGE QUALITY — raw front-camera video still: soft and not tack sharp, everything in focus, no bokeh, no colour grading, no studio light, visible sensor noise in the shadows, heavy phone HDR flattening the contrast, slightly blown-out highlights, compressed social-video look. Unretouched skin with real pores, real texture and a little shine. Slightly imperfect handheld crop, the top of the head lightly cut by the frame edge.

PRODUCT LOCK — The bottle keeps exactly the brushed steel upper body, the matte deep green lower band, the razor-clean line between them and the black lid of the reference. Spell every letter on it correctly. No other text in the frame, no watermark, no phone brand name.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, [THE FRONT CAMERA HELD AT ARM'S LENGTH, OR THE PHONE ON A TRIPOD SO BOTH HANDS STAY FREE].

[THE PERSON: age, skin, hair, plain unbranded clothing], caught mid-sentence with the mouth open on a word, eyes on the lens, not smiling and not posing.

SETTING — [A REAL PLACE WHERE THIS PRODUCT ACTUALLY LIVES] at [THE TIME OF DAY], [WHAT RECEDES OUT OF FOCUS BEHIND THEM], [THE QUALITY OF THE LIGHT].

THE PRODUCT — [WHICH HAND AND AT WHAT HEIGHT THEY HOLD IT], turned so [THE TWO OR THREE DETAILS THAT MUST READ] read clearly.

IMAGE QUALITY — raw front-camera video still: soft and not tack sharp, everything in focus, no bokeh, no colour grading, no studio light, visible sensor noise in the shadows, heavy phone HDR flattening the contrast, slightly blown-out highlights, compressed social-video look. Unretouched skin with real pores, real texture and a little shine. [THE FRAMING FLAW: an imperfect handheld crop, the top of the head lightly cut by the frame edge].

PRODUCT LOCK — The [PRODUCT] keeps exactly [THE FEATURES AND EVERY WORD WRITTEN ON IT] of the reference. Spell every letter on it correctly. No other text in the frame, no watermark, no phone brand name.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

L'image validée devient la première frame de la vidéo. Un seul plan sans coupe, et la personne dit exactement deux répliques : une au début, une à la fin. Entre les deux, elle ne dit rien, et c'est écrit noir sur blanc : ce silence est ce qui empêche le modèle d'inventer du dialogue.

Les deux répliques forment une preuve chiffrée, pas un slogan : six heures du matin, quatre heures de l'après-midi. C'est la structure d'argument la plus efficace en UGC.

The person in this frame is filming a phone video. The phone is held in one hand at arm's length. They speak ONLY these two lines, each said ONCE and never repeated:
"I filled this with ice at six this morning."
"It is four in the afternoon and it is still cold."
Between the two lines they say NOTHING at all — no extra words, no muttering, no repetition.

Beat 1 — they say the first line straight to the lens.
Beat 2 — they stay silent while she unscrews the black lid one-handed and drinks.
Beat 3 — still silent, they look back into the lens.
Beat 4 — they say the second line straight to the lens.

They keep exactly the same hairstyle for the entire clip — the same shape, the same length, the same volume and the same way the hair is worn as in this frame, held the whole time — and only the strands that already fall around the face move when they move.

PRODUCT LOCK — The bottle keeps exactly the brushed steel upper body, the matte deep green lower band, the razor-clean line between them and the black lid of the reference. It never changes shape, colour or text.

Small natural handheld drift, the frame never fully still. Flat indoor light, everything in focus, no bokeh, no colour grading, no camera move, no zoom. Close-mic phone audio, the voice slightly clipped, room tone underneath, no music. Raw phone footage, TikTok storytime energy. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.

The person in this frame is filming a phone video. [THE PHONE IS HELD IN ONE HAND AT ARM'S LENGTH, OR RESTING ON A TRIPOD SO BOTH HANDS STAY FREE]. They speak ONLY these two lines, each said ONCE and never repeated:
"[WHAT THEY DID WITH IT, WITH A TIME OR A NUMBER]"
"[WHAT IS STILL TRUE NOW — the proof, never a slogan]"
Between the two lines they say NOTHING at all — no extra words, no muttering, no repetition.

Beat 1 — they say the first line straight to the lens.
Beat 2 — they stay silent while [THE SINGLE GESTURE THEY MAKE WITH THE PRODUCT].
Beat 3 — still silent, they look back into the lens.
Beat 4 — they say the second line straight to the lens.

They keep exactly the same hairstyle for the entire clip — the same shape, the same length, the same volume and the same way the hair is worn as in this frame, held the whole time — and only the strands that already fall around the face move when they move.

PRODUCT LOCK — The [PRODUCT] keeps exactly [THE FEATURES AND EVERY WORD WRITTEN ON IT] of the reference. It never changes shape, colour or text.

[THE CAMERA: a small natural handheld drift so the frame is never fully still, or locked on the tripod]. Flat indoor light, everything in focus, no bokeh, no colour grading, no camera move, no zoom. Close-mic phone audio, the voice slightly clipped, room tone underneath, no music. Raw phone footage, TikTok storytime energy. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.